Seasoned rock veteran, Richie Onori, has worked with all the hard hitting rock and metal acts out there, but now he shows his passion and talent for real blues rock.

“Who?”, you might ask (as I did when asked to review this CD). Richie Onori’s music career started at an early age. He was only 16 when he was asked to join ? [Question Mark] & the Mysterians (mostly known for their hit 96 Tears).

After that, he went on to the group Satyr, which included Chuck Wright (of Quiet Riot fame) and Pat Regan (famed rock producer for KISS, Ritchie Blackmore, and Deep Purple).

Later on, Richie formed the Aliens of Extraordinary Ability with Stuart Smith & Keith Emerson (of Emerson, Lake & Palmer fame). Although Aliens was a short-lived band, Richie continued to work with Stuart in the band Heaven & Earth (to which Richie still plays with today).

Richie’s rock pedigree also includes working, and playing, with such acts as: Richie Sambora, Joe Lynn Turner, Rick Derringer, Robbie Krieger, Ronnie James Dio, Slash, Paul Rodgers & Steve Lukather, to name a few. Richie also joined on to play drums for Steve Priest’s The Sweet. Not one for taking a break, Richie has recently released a solo album under the name Richie Onori’s Blues Messenger.

Although having built a career working with some of the most influential musicians in the fields of rock and jazz, and being a versatile percussionist with the ability to perform in many styles, In The Name Of Freedom is predominantly a blues influenced rock album with political undertones. Richie provides his extraordinary drumming along with vocals and some guitars. His band is rounded out by Phil Woodard, on guitar, and Marvin Sperling, on bass guitar. The album was produced by Dan Jenkins, known for his work with Tower Of Power, Dionne Warwick, and Tori Amos, among others.

Richie is very passionate with what he writes about and it shows in his lyrics. Unlike most of the pop-rock music on today’s radio, this album offers old school rock rhythms and heavy blues influenced guitar riffs blended with lyrics that matter.

The opening track, Power To The People, is a call-to-action anthem which tells the listener to open up their eyes and asks them “Don’t You Want To Stay Free?” The song focuses on human rights and individual freedom. Along with some blazing guitar work, Richie tells us “We The People, We Hold The Power, We The People, United We Strong”.

Next up is Hey You (Better Think Again). This song opens up with some of the best guitar work on the entire album. It has the rawness of Jimi Hendrix mixed with some modern-day blues of Joe Bonomassa. This song is a stab at the “Wall Street speculators” and the “Drug pushing companies” who “Keep putting our money in their pockets”.

Long Live Rock, the third track, is a straight forward rocker that gives the modern age a rock anthem. It has great harmonies with a catchy chorus, and is one I could easily see everyone singing along to at one of Richie’s concerts.

Track four, American Fighters, starts out with a mellow groove reminiscent of Bon Jovi’s Blaze Of Glory. This song is patriotic with a political slant to it. Richie sings about how the bankers are “Raping the needy” and how they are saying “It’s the American way”. He calls for us to stand up, as American Fighters, telling us it’s “Time to clean it up and turn it around”.

Buffalo Nation follows next. It features some great B3 Hammond & Wurlitzer work by John ‘JT’ Thomas, giving an underlying Doors feel to it.

Blues Messenger is the band’s theme song. It tells us how “Time is running short and that it’s time to care”. It’s a plea for everyone to learn how to get along and live with each other. Jon Greathouse added some great keyboards to this track. This is a positive song with uplifting lyrics which also includes some beautiful backing vocals provided by Francesca Capasso & Aina Skinnes O’Kane.

On, In The Name Of Freedom, Richie expresses his concerns about our freedoms being threatened. Sal Rodriguez adds some conga work and gives the song an early 70’s Santana feel to it.

Together We’re The U.S.A. has a funk groove to it. Chris Mostert adds some saxophone while Bill Lamb provides some trumpet and Mark Josephson some violin. There is a break down, during the middle of the song, where the violin mixes with some acoustic guitar giving the song a country music feel to it. The song then kicks back into full gear ending on a rocking’ beat!

Richie ends the CD with The Answer. It starts out with a Pat Traverse feel to it. After spending most of the album questioning the state of the nation, Richie tries to offer us up an answer.

In a world where Rock & Roll has gone the way of Pop music, it’s good to hear this album. This is a true hard rocking album with a 60’s activist feel to it. Whether you agree with him or not, Richie isn’t afraid to tell you how he feels. To quote Richie: “The system is rigged in such a way that ‘We The People’ are pitted against each other to create controversy, chaos, and fear. Their intent is to distract the attention away from them. We can’t, as citizens, come together to defeat this attack if we don’t know who the real targets are. There are very few that know who the targets are… do you?” Richie has a deep love for his Country and does not like the direction it is heading. He isn’t necessarily the best vocalist, however, he doesn’t need to be as his music does the talking for him!

Richie Onori online:
Website | Facebook | Twitter

Republished from National Rock Review: http://www.nationalrockreview.com/2014/01/01/album-review-richie-onoris-blues-messenger-name-freedom/

 

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About The Author

My hunger for music began at an early age. In high school, I was the co-host of the underground metal show the Social Mutilation Hour, on 89.5 WAHS, under the name of Neurotik Erik. During this period of my life, I independently promoted shows (under the name of Ding Dong Ditch Productions). I would rent out local VFW Halls, use space at Oakland Community College Auburn Hills Campus, or simply throw basement parties around the Detroit area!While at college at Ferris State University, I became head of the student run organization, Entertainment Unlimited, and continued to promote shows, but on a larger scale. I also helped start an underground zine, 'Outpunk', where I interviewed bands and wrote music reviews. Additionally, I joined on with the staff at the Ferris State University Torch and wrote on a larger scale.When I left college, in the mid 90’s, I went to work in the “real world”. Promoting shows and writing fell to the wayside, until NOW…